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Victoria and Albert Museum

The purpose of the Victoria and Albert Museum is to enable everyone to enjoy its collections and explore the cultures that created them; and to inspire those who shape contemporary design. All our efforts are focused upon a central purpose - the increased use of our displays, collections and expertise as resources for learning, creativity and enjoyment by audiences within and beyond the United Kingdom.

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 Articles by this Author

Art Nouveau Glass

 In this video Paul Greenhalgh, Head of Research at the V&A from August 1994 to December 2000, looks at Art Nouveau Glass - in particular the work of Louis Comfort Tiffany and Emile Galle.



Jain Manuscript Paintings

Jain Manuscript Paintings 7 minute video.

Vijnaptipatra (Letter of Invitation to a Monk) 6 minute video.

Jain Manuscript Paintings

Jain Manuscript Paintings 7 minute video

Sculpture of Parsvanatha

Sculpture of Parsvanatha a 7 minute video.

The British couturier Hardy Amies combined the grand tradition of British tailoring with a Parisian flair for the latest style. But he never lost sight of a particularly British attitude to couture. Ian Garlant, today's Chief designer at Hardy Amies, explains how this relates to to cultural history.

The V&A has a great collection of dresses made by the French couturier Jacques Fath. They were the gift of one of his favourite clients, Lady Alexandra Dacre. Lady Alexandra's daughter, Xania Dennen, rembembers her mother's special arrangement with Fath, who was at the time one of the city's most celebrated designers.

Couture Podcasts - Balenciaga Suits

For the well-dressed woman in the late 1940s and early 50s, the tailored suit was a staple of elegant day-wear. In Paris, none had a greater reputation for making tailored suits than the Spanish-born couturier, Cristobal Balenciaga. Percy Savage, the Australian born press-officer for the fashion house of Lanvin during the 50s, explains what it was that set Balenciaga apart.