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- Touched by .......
Touched by .......
Collectors, art historians, dealers and not to forget people in general have been inspired, moved or ‘Touched by' the fine- and applied arts.
A collector is mesmerised by the beauty of Emile Galle furniture; a musician may have been inspired by Van Gogh’s ‘Starry Night; an aspiring art historian may be intrigued by the Yoruba Ibedji Twins and the next-door neighbour may have been impressed by the exhibition of The Deer Scroll by Kōetsu and Sōtatsu at the Seattle Art Museum.
In ‘Touched by.....’ people are invited to enlighten us on their ‘weak spot’ for an artist, artistic school or particular work of art and the effects this has had on their life. Has this inspired them to become avid collectors, has it resulted in a change of career, has it transformed them into an active groupie or has it ‘stained’ them for life.
A collector is mesmerised by the beauty of Emile Galle furniture; a musician may have been inspired by Van Gogh’s ‘Starry Night; an aspiring art historian may be intrigued by the Yoruba Ibedji Twins and the next-door neighbour may have been impressed by the exhibition of The Deer Scroll by Kōetsu and Sōtatsu at the Seattle Art Museum.
In ‘Touched by.....’ people are invited to enlighten us on their ‘weak spot’ for an artist, artistic school or particular work of art and the effects this has had on their life. Has this inspired them to become avid collectors, has it resulted in a change of career, has it transformed them into an active groupie or has it ‘stained’ them for life.
Archaic African Armaments
- By Touched by ......
- Published 1 December 2009
- Touched by .......
- Unrated
Ever since I was very young I loved ancient and medieval history. The
arms and armor, mythology and sciences of the world captivated me. I
was raised in a poor and troubled environment and my love for history
became an escape for me that helped me resist a life of crime. As I
came of age I became particularly interested in weapons of old from the
Nihonto to the Talwar of India and from the Doa and Jian of China to
the Viking and knightly swords of Europe. Through countless research I
began to develop a proper understanding of the cultural weapon and the
function behind it. Although there are many people who consider the
weapons of old to be little more than violent instruments, to me and
many others that violent instrument reads like a book displaying the
cultural psyche of the day as well as the physical environment which
surrounded them.

