Attilio Petruccioli

Professor of Design at Polythecnic of Bari, School of architecture. Editor of the journal 'Environmental Design' of the Islamic Environmental Design Research Centre.

Content Posted by Attilio Petruccioli

The “Fishdragon” : The Makara motif in Chinese art and architectural decorations

 

*/ > The makara is one of the many images of foreign origin which entered the Chinese artistic vocabulary through cultural exchanges over the centuries. Its persistence through time-attested as it is on different classes of artifacts from the sixth to the eighteenth century-its adaptation to different media, and the iconographical changes it underwent in China make it an interesting case study. In the literature in Western languages, however, the motif has rarely been the subject of specific studies, though a number of scholars have pointed out its occurrence in discussing particular artifacts.-->


Cartographic tradition of India : A study in medieval Indian maps and plans

The conception of mapping the Universe at various scales grew up in human mind with its evolution. Bhuvankosh an ancient text has always been an important subject of the ol¬dest Indian thought and literature. Ancient authors have communicated their concepts and facts of space through their composi¬tions which have come down to us in oral and written forms. No doubt, they must have il¬lustrated their findings by menas of crude lines and drawings before committing them to written language. Instances can be quoted from Puranas, Kavyas and dramas where in drawing mapping have been used as a gra¬phic language and an inspiring instrument for explaining various situations. Maps and car¬tographs often serve as powerful medium to revive forgotten personalities and historical events. Maps are necessary for a systematic study of history and geography, paintings and town planning.





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